Sometimes, bad news can be good news. That’s the conclusion we came to when we saw the map above, posted on the MTA-obsessed blog 2nd Ave. Sagas. On Friday, the MTA announced its revised set of Doomsday 2.0 service cuts, which include slightly fewer bus route eliminations and maybe not quite-so-bad service (get the very detailed details on the Sagas blog). But as Gene Russianoff, head of the Straphanger’s Campaign, put it in an email today, “the cuts still stink.” Except for one.
While the MTA has still recommended eliminating the W-Train and most of the G in Queens, the elimination of the M-Train will be coupled with the extension of the V into Brooklyn and Queens, providing residents of South Williamsburg, Bushwick, northern BedStuy, and Ridgewood a far more convenient route to Midtown than the morass that is a Canal Street transfer. Russianoff does dampen the parade somewhat with this caveat: “The M platforms are shorter than the V (480 feet instead of 600 feet), so the new line would be composed of a smaller number of cars. The MTA materials admit there would be an increase in crowding, but don’t describe how much.” But in further good news, the revised cuts also call off the elimination of the Z Express, which would have made the trip in from parts of Queens interminable.
We won’t venture to guess whether the proposed V service has anything to do with the affected areas continued gentrification, but it does remind us of another bad-news-is-good situation on the aforementioned, afflicted G. The impending closure the Smith/9th Street station, while a pain in the ass for Redhook residents, has become a blessing for their southern neighbors, as the G must turn around quite a ways further down the line, with service now extended five stops further to Church Avenue. Denizens of Park Slope, Windsor Terrace, and Kensington are among the grateful.
We’re still begging the MTA not to make any cuts, though here’s hoping they might make this V-Train change no matter what.
As for bad news that is bad news, Bob Noorda, the graphic designer who created the iconic, unmistakable subway signage, died two weeks ago according to an obit in the Times. Perhaps compose your next email, blog post, or tweet in Helvetica in his honor.