LACMA’s new Resnick Pavilion by Renzo Piano doesn’t open until October, but the museum has given visitors a few chances to look inside. The results, which we took advantage of last week, are impressive. The single story, open-plan space feels raw, exposed, and much more comfortable in its skin than its neighbor, the Broad Contemporary Art Museum (also by Piano, by the way). Here are some of my snaps of the new building, which is fitted with an installation by Walter De Maria (called The 2000 Sculpture) made up of hundreds of repetitive plaster shapes that make up a mesmerizing grid, really bringing out the best in this new building.