Cut ‘n’ Paste: From Architectural Assemblage to Collage City
The Museum of Modern Art
11 West 53rd Street
New York, NY
Through December 1
Cut ‘n’ Paste: From Architectural Assemblage to Collage City, on view at The Museum of Modern Art from July 10 to December 1, examines the essential yet overlooked role of collage in architectural representation. The exhibition places Ludwig Mies van der Rohe’s early photomontages next to the cut-and-pasted experiments of artists, photographers, and graphic designers. Together, these pieces suggest an immersive “collage city,” originally conceived by Colin Rowe and Fred Koetter in the 1970s, that becomes animated through superimposing various elements.
Paul Citroen. Metropolis, 1923. (Courtesy Paul Citroen / ARS)
Combining popular references and dynamic cultural connections, Cut ‘n’ Paste emphasizes early uses of collage to map out both its progression as an aesthetic technique crucial to architectural representation and as a cultural practice that constitutes the city. Pedro Gadanho curated the exhibit along with Phoebe Springstubb. In addition to works by Mies van der Rohe, featured artists include Ralph Schraivogel and Paul Citroen.Ralph Schraivogel. Archigram 1961–74 (Museum für Gestaltung). 1995. (Courtesy MoMA)