Within the walled space of the garden, Van Valkenburgh’s effusive, curvilinear design makes the space appear larger and more mysterious than a more restrained, orthogonal scheme would have. “I love playing with scale,” he said, “and I like curves a lot right now. A curve helps push the landscape to the foreground.” Van Valkenburgh selected the trees, a mix of multi-stem stewartia, grey birch, paper bark maple, and arborvitae, to create visual interest throughout the seasons.
The composition contrasts with Piano’s austere building. “It’s one of the best Piano buildings I’ve seen,” said Van Valkenburgh. “This garden reflects my admiration. It’s a compliment through contrast.”
