Isa Genzken: Retrospective
Museum of Modern Art
Through March 10, 2014
In the home stretch before it closes on March 10, Isa Genzken: Retrospective at MoMA shows a sculptor whose work is infused with architecture from her sleek early works of lacquered wood in the engineered Hyperbolos and Ellipsoids series to rougher experiments in plaster, concrete, and steel which resemble architectural maquettes on pedestals including Bank (1985), Rosa Zimmer (Pink Room) (1987), Galerie (1987), Kleiner Pavilion (1989), and Fenster (Window) (1990).
Left to right: Fuck the Bauhaus #4, 2000; Fenster (Window), 1992; Bild (Painting), 1989. (Jonathan Muzikar / Courtesy MoMA)
The architecture of Berlin and New York inspired some of her most significant work. It tackles subjects like the disposable global culture, the relationship between architecture and site, form and space. Fuck the Bauhaus, New Buildings for New York (2000), New Buildings for Berlin (2004), and Der Amerikanische Raum (The American Room) (2004) are the result: colorful, energetic, and made of many found and industrial materials.
Genzken has lived in New York and was there on 9/11, which prompted a series of installations, Ground Zero (2008), and a play called Empire/Vampire (2003) with two protagonists, the Empire State Building and Chrysler Building (video and sculptural set designs).
On a more personal note, she has made architectural personification of artist friends including Dan Graham and Wolfgang Tilmans, titled by their first names: Andy, Isa, Dan, Wolfgang, Kai. Catch it.