Finn Style

Finn Style

Finland: Designed Environments
Minneapolis Institute of Art
2400 Third Avenue South, Minneapolis
Through August 17

Think Finnish design and Alvar Aalto comes to mind. Right? But what about Angry Birds? In addition to being home to some of the world’s most important designers of furnishings, buildings, and textiles, Finland also has a thriving industry in game design. Rovio Entertainment’s popular online game is just one of the surprises in the Minneapolis Institute of Arts’ exhibition  

A childlike curiosity and playfulness permeate many of the objects on display—along with a keen attention to functionality, natural forms, and sustainability. Hannu Kähönen’s chairs constructed of wood fruit crates, Tapio Antilla’s stool/table fashioned out of wood scraps bound with a ratchet strap, Samuli Naamanka’s lobby chair of steel, biodegradable linen, and corn, and Heikki Ruoho’s cardboard furniture can be used, then burned or recycled.

Of course, beauty born of simplicity is evident in the furnishings as well. Birch is bent into the simplest of forms for lamps and chairs. Eero Aarnio’s cast-plastic light-therapy lamps juxtapose squares or bulbous shapes in minimalist yet evocative ways. Distilling form and function to its essence is also evident in Karin Widnäs’ 75th-anniversary, stoneware dinner service for the Savoy Restaurant in Helsinki and Pentagon Design’s sleek “Five Senses” series of multisensory objects.

The exhibition is divided into five thematic areas, with arguably the most sensual objects located in the “Design and the Body” area. Here Marita Huurinainen’s ethereal wood-nymph sheath dress of wool and peat; her Wave shoes of birch, rosewood, and leather; and her clamshell-like Laine handbag of beech wood beg to be touched, held, experienced, worn.

The unbreakable relationship between Finns and nature is also reflected in the “Relax, Recharge, and Reflect” section, which includes images of artfully designed saunas and cabins, as well as a Fiskars axe, Rapala fishing lures, and Alexander Lervik’s remarkable “Sense Light Swing.”

Finnish design is applied on a different scale in the infrastructure and planning of cities, from such micro initiatives as customizing trams to accommodate bulky winter clothing and creating a bicycle almost anyone can easily ride, to linking the city of Kuopio to an adjacent archipelago via a parkway accessible by foot, bicycle, or transit.


Photographs of such iconic Finnish architecture as the proposed public and urban Hernesaari Saunas (Avanto Architects), and Kamppi Chapel of Silence (K2S Architects)—with their clean, yet sumptuously curving wood forms—enticingly reinforce what we’ve come to expect from the best in Finnish buildings. And yet the Finns are ever evolving in their approaches to design, as evidenced by the Hollmén Reuter Sandman’s Women’s Center in Rufisque, Senegal, which hybridizes traditional African architecture and Finnish design innovations.

Finland: Designed Environments is part of FinnFest USA, a celebration August 7 to 10 marking the 150th anniversary of Finnish immigration to the United States, which originated with the 1864 arrival of Finnish settlers in Red Wing, Minnesota.

So while Helsinki was named World Design Capital in 2012—and the exhibition marks that occasion with commemorative objects and photos of the city’s celebratory light-filled pavilion—Minnesota’s own singular Finnish-American architect is included in the show as well. The Bagley Nature Center at the University of Minnesota-Duluth, designed by David Salmela, demonstrates the architect’s keen attention to form, nature, and sustainability. The crossover is complete.