As the 16th Venice Architecture Biennale gets ready to welcome visitors, AN has compiled a list of the 65 national pavilions that will open to the public on Thursday, May 24. Although two countries have canceled their pavilions, the remaining projects are all an interesting take on the biennale’s theme of “freespace”; how we use, negate, and integrate open spaces into our daily lives. This year’s Biennale will also mark the first show for these six countries. Each of the pavilions mentioned below have been represented in their teams’ own words.
National Pavilion Events:
“This pavilion is composed of architects and artists, devoted to the dynamism of everyday life in the ground floors of Tirana, the capital city of Albania. It is a moment of reflection of Tirana’s lifestyle and the future of Albania’s capital city. Visitors live through the experience of Albania’s capital city the same way as its citizens.”
Antigua & Barbuda
Environmental Justice as a Civil Right
Location: Don Orione Artigianelli, Dorsoduro 919
“Proposes a cross-cutting dialog between geographical spaces, places and architecture. It is an invitation to rethink our territory as a collective construction and see architecture in its capacity to convey unexpected generosity in every project.
The collection focus on projects produced since Argentina’s return to democracy, in 1983.”
“Repair addresses the call ‘to stimulate discussion on core architectural values’ and focuses on architecture that integrates built and natural systems to effect repair of the environment through three installation: the first is made of ten thousand plants inside and outside of the Pavilion, including 65 species of Western Plains Grasslands. This component of the exhibition, entitled Grasslands Repair, will serve as a reminder of what is at stake when we occupy land – just one per cent of these threatened species are left in their native ecosystem; an experimental video series, entitled Ground, showcasing fifteen Australian projects that unpack diverse iterations of repair, which will be projected inside the Pavilion. A third installation, Skylight, incorporates lighting to simulate the sun’s energy required to sustain the plants inside the Pavilion. The curators aim to provoke a rethinking of how we value and therefore create the built environment.”
“Is a plea for the power of architecture as an intellectual analysis of the world and for the freedom to design spaces that are not subject to functional and economic constraints. LAAC, Henke Schreieck and Sagmeister & Walsh are creating a conceptually and materially complex spatial installation which draws together inside and outside, vertical and horizontal, the historic pavilion and the language of contemporary architecture and design. Concepts such as ‘deviation’, ‘atmosphere’ and ‘beauty’ become tangible in a three-part, converging spatial installation.”
Bahrain (Kingdom of)
Location: Arsenale Artiglierie
“The pavilions curatorial team is composed of Nora Akawi, an architect and researcher based in New York, USA and Amman, Jordan and Noura Al Sayeh an architect based in Bahrain.
The pavilion features an installation and research on the ritual of the Friday Sermon and its influence on public space and public opinion. When thinking about free space, and by extension free speech for Arab and Muslim communities, the Friday khuṭbah becomes a key protagonist, especially as state, law, and religion remain as entangled as ever.”
“Eurotopie, addresses the issues and challenges tackled by the European Union. Despite being the E.U’s principal territorial, physical and symbolic anchorage, the European Quarter in Brussels seems in no way to contribute to a collective European identity. The pavilion also addresses architects and space-makers in considering how the European democratic space can be constructed, and how it can cohabit with Brussels.”
“Investigates the wall as an element of Brazilian architecture, culture and identity, and envisage in the act of bridging this wall an invitation to coexistence and multiplicity on two design fronts. The first consists of the presentation of ten cartographic designs created based on research with a network of collaborators, consultants and institutions, as a way of visualising the forms of spatial and conceptual separation resulting from the process of urbanisation of Brazil. The second, in an initiative unprecedented in the history of Brazilian participation in the event, focuses on projects chosen through a public selection process. Projects are examples that use architecture as a tool to measure conflict, transitions between public and private domains and connections between different urban fabrics.”
“On the occasion of the unveiling of a state-of-the-art restoration of the Canada Pavilion in the Giardini, and the celebration of the pavilion’s 60th anniversary, the National Gallery of Canada promotes the exhibition: Canada Builds/Rebuilds a Pavilion in Venice.”
Stadium: an event, a building and a city
“An event of the past, which rendered a city within a building. In its origin, the word stadium is a measure of a running distance between two points. The exhibition narrates such double story interweaved by a plan: that of a building (with its dissimilar uses) and that of a city (with its atomized housing development), overlaid in a single event.
The Event – On the 29th of September 1979, this landmark building was filled by 37,000 workers from all over Santiago. The focus of this gathering was not a concert or a sport match, but a massive operative which provided, in a single day, ownership titles to dwellers (pobladores) fixing decades of makeshift land occupation and policies. This day-long massive event organised by the military regime was a day of celebration, of government propaganda and reinforcement of a new popular capitalist scheme. By signing these property titles these former dwellers were also acquiring a debt instrument with specific spatial coordinates, setting a plan of a city where there was no plan”
China (People’s Republic of)
“One of the major challenges facing contemporary built environments is the future of rural ‘development’. In China, the countryside has become a new frontier for experiments in this area, and the country is developing its countryside at a speed and scale unseen in the West. Drawn by the promise of boundless opportunity, architects, artists, developers—as well as capital flow—are converging in rural areas across the nation.
The return to pastoral life has long been an ideal of Chinese literary tradition. In modern times, living in rural areas typically involves aspects such as policy, capital, infrastructure, and technology. While modernization and technological progress promise us better lives with modern living conditions, they also, to some extent, sever the link between rural life and tradition.”
“Cloud Pergola / The Architecture of Hospitality is a collaborative site-specific environment conceived by the pavilion curator, Bruno Juričić, with curatorial advice from Branka Benčić. Cloud Pergola is an installation crossing the boundaries of architecture, art, engineering, robotic fabrication and computational models. The exhibition is structured through the interplay of three interventions: Cloud Drawing by Alisa Andrašek in collaboration with Bruno Juričić, To Still the Eyes by Vlatka Horvat and Ephemeral Garden by Maja Kuzmanović & FoAM.”
Cyprus (Republic of)
Location: Associazione Culturale Spiazzi, Castello 3865
“By highlighting, questioning and then deconstructing sets of binaries, key to cultural perceptions in and about Cyprus, the pavilion disengages from convention. Multiplicities, found in-between these binaries, ‘built/unbuilt, tradition/modernity, Island of Love/place of conflict, immigration/local identity,’ are revealed in the pavilion, allowing unexpected experiences to be celebrated.”
Czech and Slovak (Republic)
“A program of encounters It’s nothing new under the sun, yet it’s necessary to talk about it. Beautiful historical towns, of course not only in the Czech Republic, suffer under the heavy burden of tourists. And the local people suffer also. In the streets of such cities we see empty houses, unnecessary shops, streets people prefer to avoid – just like in socially excluded localities. One such city in our country is Český Krumlov, an example from abroad is Venice. Both cities are among the magnificent treasures included on the UNESCO list, but the only ones who really desire them are the tourists. Tourism is growing into dangerous dimensions.”
“The Danish Pavilion exhibition will present a collaborative approach to innovation and illustrate its impact through a handful of very different cases. The cases look at the potentials of working with a number of fields outside the traditional realm of architecture, such as mobility, cultural resilience, housing and computational resource efficiency on a global level. Each of the cases branch multiple fields of knowledge and numerous stakeholders and demonstrates the transformative potential of collaborative efforts as well as architecture’s impact on innovating the built environment. Through large scale installations, including a presentation of the new OMA BLOX building in Copenhagen, the exhibition focuses on ’Collaborative Innovations’. BLOX, represents a framework for the exhibition since it embodies the idea of a freespace for interdisciplinary and cross-cultural innovation. BLOX is the new home of the Danish Architecture Centre and a new international innovation hub.”
“The pavilion, curated by architects Islam El Mashtooly and Mouaz Abouzaid, architecture professor Cristiano Luchetti, art director and producer Giuseppe Moscatello, and art director Karim Moussa proposes the theme of a redevelopment of spontaneous commercial spaces across the entire country. The phenomenon of ‘free’, unstructured, often illegal, trading is predominant in many urban and suburban areas. The traditional souk is no longer confined to narrow streets and interstitial spaces of historical areas. Indeed, the space of commerce extends its tentacles seamlessly along the lines of urban streams without any rule. The project for the pavilion focuses on these strategic spaces but also on their content. The trading of ‘roba becciah’ is a large portion of all market activities. Disused items produced and dismissed by consumerist societies are first collected and then stacked in areas to create mono-functional enclaves for future trading.”
Location: Santa Maria Ausiliatrice church
“Weak Monument explores the explicit representation of the monument and the implicit politics of everyday architectural forms. Curated by Laura Linsi, Roland Reemaa and Tadeáš Říha, the exhibition takes over the former Santa Maria Ausiliatrice church in Venice with pavement and a monument-like concrete wall that divides the exhibition space in two. As visitors cross through the wall, they’ll find a collection of photos, drawings, and models of Estonian and European examples of “weak monuments”. They will then encounter a ‘wall altar.’”
“The Finnish pavilion transforms the Alvar Aalto-designed space into a temporary library. Titled ‘Mind-Building’, the exhibition explores the development of Finnish library architecture and showcases Finland’s leading role in developing the libraries of the future. The exhibition is conceived by the commissioner Hanna Harris, director of Archinfo Finland, and curator Dr Anni Vartola, architecture critic and architectural theorist, who present the public library as a case-study of ‘modern monumentality’ and reminds us of the values of the civic society and the power of education and knowledge.”
“This year, in its 16th edition, the International Architecture Exhibition seeks to remind us of a dimension of architecture no doubt somewhat neglected, and yet so fundamental: ‘thoughtfulness.” Our concerns focus so often on the built object, or one intended to be built, that we often underestimate the importance of this frame of mind that goes beyond needs or the desires of others. Freespace needs to be a place of opportunities, a democratic space, un-programmed and open to unforeseen uses, as yet undefined, such that buildings create new ways of sharing and participating for people over time, long after the architect has left the scene… places that are in some sense infinite in possibility.”
“The exhibition responds to current debates on nations, protectionism and division. In the German Pavilion, GRAFT and Marianne Birthler will take the parallel as an opportunity to explore the effects of division and the process of healing as a, special focus will be given to outstanding examples of urban and architectural design that address aspects of division and integration.
An example project is Checkpoint Charlie. This Location: was the third crossing point after Checkpoint Alpha and Checkpoint Bravo between the American and Soviet sectors. After the construction of the Wall and the tank confrontation shortly afterwards in October 1961, it became, alongside the Brandenburg Gate, the most symbolically potent image of the Cold War. A current competition initiated by the new owner of the site will elaborate a new vision for the Location: of Checkpoint Charlie in conjunction with the Senate. A Museum of the Cold War is planned that will be run by the State of Berlin.”
“Danish architect Dorte Mandrup will be exhibiting at the main exhibition of the Biennale Architettura 2018, and with over 200 square metres at her disposal, is one of the most comprehensive installations on display at this year’s Architecture Biennale. The forthcoming Icefjord Centre in Greenland is the inspiration source behind a large sensuous exhibition, designed to give Biennale’s visitors an authentic experience of the magnificent and harsh nature in Greenland.”
With Beatriz Colomina
#BED, DUTCH PAVILION, GIARDINI DELLA BIENNALE, VENEZIA
11am – 4pm
Visions of the Future
With Mark Wigley, Liam Young, and respondent Amal Alhaag
#LOCKER ROOM, DUTCH PAVILION, GIARDINI DELLA BIENNALE, VENEZIA
11am – 12pm
Work Body Leisure | Official Opening
4pm – 4:30pm
SONGS FOR HARD-WORKING PEOPLE
A project by Noam Toran, composed and performed by Remco de Jong and Florentijn Boddendijk. This afternoon concert launches the official soundtrack of the 2018 Dutch Pavilion.
4:30pm – 5pm
“The curatorial team, Caruso St John Architects working in collaboration with artist Marcus Taylor, responds to the theme of Freespace with the construction of a new public space on the roof of the British Pavilion. This elevated piazza offers visitors to the Giardini a place to meet and a unique vantage point looking out across the Lagoon. At the centre of this new public space, the peak of the Pavilion’s roof protrudes up through the floor, suggesting both an island and a sunken world beneath. Below, the doors of the Pavilion are open to visitors, but the building is empty of exhibits.”
“‘The Faculty of Athens,’ will focus on the structure of the educational commons – from Plato’s Academy to recent college designs. It re-imagines the Greek Pavilion adopts the architectural trope of the stepped panorama to create an energetic house of discussion and trade. Inside of this panorama, architectural fashions depicting instructional commonplace areas from throughout historical past and all over the world, each learned and unrealized, will create a box of architectural specimens that fills the pavilion in all instructions.”
Location: Palazzo Albrizzi-Capello, 4118 Cannaregio
“The Guatemala pavilion investigates space with models all linked to a sense of utopia and lexical incompleteness, that reflect and try to give an answer to the language crisis brought by the postmodern age. The exhibition proposes a sort of ‘Virtual City,’ understood as the articulation of urban systems designed according to new modes of collective intelligence.”
“In 2016, one of the oldest Danube-bridges of Budapest, the Liberty Bridge became car-free due to an infrastructural development in the neighborhood. Citizens, mostly millennials immediately put the road and tram tracks to creative use and re-imagined the historic place. The construction turned into street furniture, hosting picnics, grill-parties, yoga classes. The curators choose this episode to tackle fundamental issues of urban development: What does a free public space represent today? How can a bridge or any built structure act as a medium of freedom? How can we change our own identity by transforming our city?”
“Here emptiness is meant as an active entity; a singularity that functions as a prominent agency in life and at the same time, as a void which demands to be conquered. This conquest expresses in various ritualization. Emptiness is a concept strongly rooted in Indonesian’s Architecture. This project argues that the concept of Emptiness that has been practice in Indonesia is the approach to liberate spatial experience and tactility.”
“The Irish Pavilion is centered around the theme of the Free Market. The exhibition will explore the common space of market towns in Ireland, their gradual demise and importance for economic and social engagement. The pavilion will be transformed into a rural Irish market square, complete with market stalls, goods, soundscape and a daily newspaper.”
“Through the lens of architecture, the exhibition explores the status quo mechanism that was established in the 19th century to regulate conflicts and facilitate co-existence in the Holy places. In the exhibition, visitors move through five holy sites that highlight Israel’s fragile system of cohabitation and disputed territoriality.
Each holy site raises different phenomenon and their highly uncertain territorial claims over centuries has made them some of the most significant and challenging sites to reexamine within this context.
The Israeli Pavilion team chose 10 of the most captivating architectural proposals of the Western Wall plaza over time, including those by Louis Kahn, Isamu Noguchi, Moshe Safdie and Superstudio. For each plan, the team created custom-made, 3-D printed models. In front of the models, a live stream of the Western Wall precinct will be screened, highlighting the dichotomy between past and future.”
“Projects for the future of the country’s interior territories” focuses on the urban space that runs along the Italian ridge, from the Alpine Arch, along the Apennines, up to the Mediterranean. An itinerary with a hundred stages, suggested by small, high quality architectural projects realized in recent years and the result of a call promoted by the curator, in dialogue with examples taken from history, with the relationship between architecture and landscape; a journey into the future, investigating the current situation and proposing a reflection on contemporary issues such as the urban periphery, the earthquake aftermath, brownfields, railways and mobility; five experimental projects in as many areas of Italy.”
“The Japan Pavilion’s curated presentation showcases over 40 exhibitors, ranging from university design studios and architectural offices to contemporary artistic practices from all over the world from the last twenty years.”
“The Korean Pavilion at the 16th International Architecture Exhibition – La Biennale di Venezia will present Spectres of the State Avant-garde, an imagined archive of the Korea Engineering Consultants Corp. (KECC), a technical consultancy for architecture and civil engineering established by the government in 1963. Spectres of the State Avant-garde seeks to reconstruct a hidden narrative about the state’s paradoxical pursuit of a utopian vision for society through oppressive government policy.
KECC enjoyed an unparalleled dominance over Korea’s architecture and construction industry, and the breadth of its activities reached beyond civil engineering and infrastructural projects to include urban master plans and expo pavilions. Their visions at times mimicked the radical architectural experiments of the West but more often assumed a pragmatic attitude in line with the state developmental agenda.”
“The Pavilion’s concept revolves around the idea of ‘house’ as a compensation for the city. During ‘90s Kosovo Albanians were expelled from all activities of public institutional life because of the political conflicts in ex—Yugoslavia. Due to that Kosovo Albanians created a parallel system of public institutions into their private houses in peripheral areas of the city. The pavilion space, named The City Is Everywhere is a house always on the making and somehow unfinished because of these new additional public functions. The inside represents the outside at the same time. All public life of Albanians during ‘90s for 10 years were provided into these inside private spaces opened by by Kosovo Albanians for public uses. The house became a metaphor for the city—it was a public space / a school / a gallery / a hospital / a shop / a café and a home at the same time.
“The Latvian pavilion looks at apartment buildings in relation to architecture’s role in organizing the society. It examines how this architectural typology generates ways of living together and apart — with one another, the market, and the state. During its 100–year–long history, Latvia has undergone several fundamental political and economic transformations that have employed housing as a means of reform. Today, despite being one of the most sparsely populated regions of Europe, nearly two thirds of Latvians live in apartment buildings, which is the highest ratio in Europe.”
“The project involves a reflection on the built environment through a reflection on the unbuilt land and the possible visions for the future of the national territory and landscape. The focus will be on Nahr Beirut (Beirut River) and its watershed. The project explores the preconditions for architecture through assessing its bedrock and the challenges protagonists face, such as the fragile nature of territory, scarcity of resources and commodification. The format chosen for the project is a combined 3D relief map, landscape photography and video surveillance, while the watershed setting allows its creators to ensure that the resources remain the key focus.”
Location: Il Giardino Bianco Art Space (Castello Viale Giuseppe Garibaldi, 1815
“In a time marked by existential threats of war and climate change, the pavilion highlights the vital urgency of human cohabitation with humans and forms of life. Inaugurated with the launch of live broadcasting programmes on Swamp Radio, The Swamp Space and its extended network will engage audiences in a variety of acoustic space explorations.
‘The radio would be the finest possible communication apparatus in public life, a vast network of pipes. That is to say, it would be if it knew how to receive as well as to transmit, how to let the listener speak as well as hear, how to bring him into a relationship instead of isolating him,’ maintained Bertolt Brecht. Acts of revalorizing the Swamp over solid ground and exploring its complex web of interactions are both conceived as pedagogical exercises by the project’s initiators with aims to transmit possibilities of speaking for the silenced voices of this planet.”
“Highlights the importance of land and property for architecture and urban planning: privatisation as well as speculation, especially with urban land, has risen dramatically in the past decade. Many European towns and cities, which, like Luxembourg, are under enormous pressure to develop, have virtually run out of building land. The project draws attention to this striking lack of public land with a spatial installation and literally confronts it with projects – tracked down in the architectural history of ideas, flanked by initial research results from the young University of Luxembourg – that make as much public space available as possible over and above the defined programmes.
The social and political dimension of architecture is linked to its creative power. The Architecture of the Common Ground puts forward a clear statement that does not mean to deliver universal answers but to show to what extent architects may conceptually react to the privatisation of land. The Architecture of the Common Ground is an appeal to view the unreproducible and indispensable resource of land as a common good, like air and water. “
Location: Arsenale – Sale d’Armi
“A paper guide and digital issue dedicated to Zona Maco and the art week in Mexico City is now available online, as well as an iOS app.
This edition has been developed thanks to an incredible editorial committee formed by Carlos Amorales (Artist), Juan Gaitán (Director of Museo Tamayo), and Mauricio Galguera (Director of Galería Hilario Galguera and co-director of El Cuarto de máquinas).
The committee has been working to select the best and most interesting art spaces and exhibitions in town.”
Location: Viale Giuseppe Garibaldi, 1815
Location: Palazzo Malipiero (ground floor), San Marco 3078-3079/A, Ramo Malipiero
“The exhibition is a framework for future research, which will actualize the need for a holistic approach, through imperative resilience of socio-ecological systems. Such approach entails transdisciplinary methods i.e. broadening the architectural knowledge base, and understanding complex, adaptive and self-regulating systems where narrow-range activities have unconceivable consequences.”
“The pavilion explores the relationship between nature and the built environment. The goal is to explore new ways of making buildings that emphasize the delicate but often invisible interactions between the built and natural worlds. The Nordic pavilion, designed by Sverre Fehn in 1962, celebrates nature’s different phenomena: light, sound, materials bringing them together to form a unique architectural experience. The 2018 installation in the Nordic pavilion will build on the context created by Fehn and ask how we see ourselves in relation to nature today.”
Location: Levante section of the Gardens of Marinaressa, along Riva dei Sette Martiri
“The National Pavilion of Pakistan team Presenting Pakistan’s architectural design prowess to the international community are Coalesce Design Studio, a Karachi-based multidisciplinary design practice, and Antidote Art & Design, a Dubai-based platform that serves the careers of emerging and mid-career visual artists and designers, with the generous support of GAA Foundation, a Dutch non-profit organization that aims to heighten awareness about the more philosophical themes in contemporary art, architecture, and culture.
The Pavilion of Pakistan, titled The Fold, explores these ideas of limitation and interdependence, inviting visitors to comprehend Freespace as a consequence of unity, mutuality and harmony amidst a restrictive physicality. This makes it simultaneously a global as well as a local phenomenon.”
“Peru immediately brings to mind the Incas and the grandeur of Machu Picchu. Little is known, however, about its capital, Lima, a city where it never rains. With 7 mm of annual rainfall, it is one of the driest on Earth. This has been a decisive factor in the survival of a great number of adobe architectural monuments in the past 4000 years – 447 structures, to be precise. The curators found reserves of generosity in this legacy.”
“Inspired by Filipino National Artist for Literature Nick Joaquin’s novel The Woman Who Had Two Navels (1961), the Philippine Pavilion confronts the tension between the vicissitudes of the past and the challenges of constructing contemporary subjectivity. It highlights two ‘navels’ that are in constant dialogue: the forces of colonialism and neoliberalism. Through the speculations about the intertwined forces and the concomitant architectural and urban issues, Philippines’ ‘Freespace’ anticipates possibilities for renewed life and hope.”
“Architecture serves not only to offer protection from nature, but is inherently connected with phenomena such as gravitation, water circulation, or the day-night cycle. This concept is present in nature-amplifying designs from the history of Polish architecture: the Warszawianka sports complex, inscribed in the Vistula River escarpment, designed by a Jerzy Sołtan-led team of the Art-and-Research Workshops of the Academy of Fine Arts in Warsaw, Zofia and Oskar Hansens’ Szumin House, and Jacek Damięcki’s visionary, unrealised design of the Floating Rotary Pavilion, and in two original designs by CENTRALA — the vertically open Cabrio House and the Rain Pavilion. Throughout the 6 months of the show, the pavilion will be actively shaped by factors including water, daily and annual light rhythms, or viewer interaction, demonstrating how architecture is inclusive in processes of physical change.”
Location: Palazzo Giustinian Lolin, near Piazza San Marco
“This theme underlines how closely State investment in accessible, quality public space is directly related to the rise of a democratic, cultured and inclusive society. Portugal is showcasing a tour of the “Public Building” on the main floor in Palazzo Giustinian Lolin, near Piazza San Marco. Its representation includes a collection of drawings, models and photographs of the 12 selected projects that include temporary structures, buildings or infrastructures dedicated to culture, education, sport and mobility. This is the work of several different generations of Portuguese architects, born between the 1930s and 1980s and built in the last ten years. The diversity of programmes and scales in this exhibition are used to reveal the universal culture and cross-generation excellence of these Portuguese architects.
‘Public buildings such as cultural, educational and sports facilities and infrastructures,’ as the curators point out, ‘belong to the idea of evolution and progressivity as regards social opportunities. They in fact simultaneously reconstruct and rehabilitate the city and renew public space in terms of quality and culture.’”
“The Museum of Architecture and Design (MAO) presents the project Living with Water in the Pavilion of Slovenia at the 16th Venice International Architecture Biennale. They developed a series of installations that investigate the relations between the hydrological systems and constructed structures, territory and landscapes on a range of spatial, temporal and operational scales. Furthermore, Plemenitaš and his team developed a Multi-Scale Flow Map.”
Location: one for the Giardini and one for the Romanian Institute of Culture and Humanistic Research (RICHR) in Cannaregio
“Mnemonics is the ancient technique of collecting memories. The ultimate challenge of architecture is the ability of a space to generate strong memories. In Romania the image of children playing outside the buildings is the universal icon of the space between the apartment buildings. The installation uses props specific to the environment mentioned above in order to invite everyone to exchange roles on the playground, to interact and reflect over the effects of the appropriation of a common space by communities.”
“The pavilion explores the past, present and future of the railways in Russia.
The space itself will be transformed into a train station. The focus of the exhibition forms a parallel with the history of the Russian Pavilion itself, which was inaugurated in 1914. The building’s designer, Alexey Shchusev, was also responsible for the Kazansky Railway Station.
The space will be divided into five halls:
Hall 1: The Geography of Free Space
Hall 2: The Architectural Depot
Hall 3: The Waiting Hall of the Future
Hall 4: The Crypt of Memories
Hall 5: Aboard the Free Space”
Location: Centro Culturale Don Orione Artigianelli, Dorsoduro 947
“The project we propose for the 16th Architecture Biennale focuses on the relationship between architecture and urban environments, with particular attention to color, often absent or arbitrarily used, in modern architecture. There will be projects, models, videos, photographs, works of art by architects, designers, and artists from different countries.”
“‘Freespace invites opportunity. It welcomes passersby, visitors and tenants. Once, open land accommodated independent settlement. Today, the consumption of space drives suburban growth. Within the peripheries, where development meets desert, the distinction between city edge and hinterland is blurred as bare expanses are punctured by swift development. Structures ranging from pathways, forums to flexible spaces, activating the inherent potential of the spaces in between.’
Over the past four decades, Saudi metropolitan centers have undergone rapid urbanization, with rural migration propelling built territories outwards. Settlement-driven growth produces disjointed, mono-functional, car-dependent neighborhoods connected by highways. In this state of fragmentation, over 40% of city land lies vacant. The wide distances between residential enclaves erode social ties and deplete natural resources.”
“This work was inspired by the Drawing on the Wall found in a basement room of the house which used to be Bogdan Bogdanovic’s Village School of the Philosophy of Architecture from 1976 to 1990. After the school was closed, over its long history of decay, the house became a Free Space for refugees, football players, hunters, vagrants… The metaphysics of this drawing and the history of the place introduce us to a state of archetypal intimacy of primitive peoples or theological-cosmological interpretations of ourselves. As a rule, such a psychological state turns us into self-taught architects of our personal inner space while the process of transition from the surreal to the real unfolds within us.”
“Under the direction of lead curator Dr. Erwin Viray, Head of Pillar, Architecture and Sustainable Design at Singapore University of Technology and Design. The exhibition comprises twelve Singapore-based architecture projects, spanning residential, commercial, private and public buildings, each demonstrating how to turn constraints into opportunities for ‘free space’ by re-imagining what a highly compact city can be. Each project incorporates light, air, greenery or water to create oasis and delightful free spaces in dense urban environments, bringing joy and connectivity to the community. The centerpiece of the exhibition will be an interactive installation – an ethereal cloud of handcrafted acrylic knots with multi-sensory sounds, light and image projections, re-creating the experiences of Singapore for the audience.”
“The Living with Water commissioner appointed a group of internationally acclaimed architects, landscape architects, researchers and educators, who applied for an open invitation to participate in the development of a joint presentation at the Pavilion of Slovenia. The multidisciplinary process of their work is presented in two installations. Because of water, life in Slovenia is enjoyable and satisfying, but at the same time water represents a particular danger.
Nearly 160,000 Slovenian inhabitants live in flood-prone areas and some 50 to 70 floods of varying sizes affect Slovenia every year. At the same time, the right to drinking water has been enshrined in the Constitution since 2016 and almost one-fifth of Slovenia’s territory is protected in order to safeguard drinking water resources. On the other hand, many concessions for the management of important water resources have been granted to corporations.”
South Africa (Cancelled)
Candice Breitz and Mohau Modisakeng
“In response to the Biennale’s theme, the South African Pavilion invites viewers to explore the artist’s role in visualising and articulating the notion of selfhood within a context of global marginalisation. What is it to be visible in everyday life, yet invisible and disregarded at the level of cultural, political or economic representation? The exhibition reflects on experiences of exclusion, displacement, transience, migration and xenophobia, exploring the complex socio-political forces that shape the performance of selfhood under such conditions.”
Commissioner: Ministerio de Fomento Agencia Española de
“The Shift/Vardiya, follows an atypical architectural discourse compared to other installations or projects that are set to be exhibited at the Venice Architecture Biennale. Tackling the essence of the biennale’s theme Freespace directly or indirectly, or both analogically or metaphorically, the Pavilion doesn’t feature a unique installation or a series of exhibition objects.
Instead, it focuses on the process of production through which architecture is studied collectively and experimentally with many students and professionals coming from different disciplines from around the world. The Shift is envisioned to be a hotspot for various workshops, roundtable discussions and informal meetings, welcoming over a hundred international students of architecture, tens of tutors, guest professionals, keynote speakers and visitors while inviting all to a continuous learning and production process throughout the twenty-five weeks of the biennial.”
United Arab Emirates
“Lifescapes Beyond Bigness, the National Pavilion UAE’s exhibition at the 2018 Venice Biennale, will reveal hidden scenes of everyday life in the UAE across four ‘human-scale’ urban landscapes. Opening on 24 May 2018 at 12 noon, the exhibition will highlight the interplay between the built environment and the dynamism of informal social life through images, technical drawings, maps and three-dimensional models. The exhibition and accompanying publication examine four urban typologies, including: residential neighborhoods, morphology and social rhythm of the four typologies. Case studies and detailed personal stories offer insight into the anthropology of each research site.”
“The project for the pavilion explores the existence of an unprecedented Freespace inside the unlikeliest place and in close relationship with its larger opposite. Last year the largest building created in Uruguay was a prison and this symbolic fact bears witness to the desires and fears of our society and the effect that architecture can have. Ironically, this new prison was built adjacent to the existing Punta de Rieles Prison, often referred to as the “village jail.” A unique experience in Uruguay, and in the world, in which the prison is understood as a lively, vibrant neighborhood that imitates the outside on the inside, resulting in an unexpected Freespace for collective projects and negotiations inside a detention center.”
Location: Island of San Giorgio Maggiore
“The pavilion will consist of ten full-scale chapels that can reconstructed and deployed to parishes anywhere in the world. Vatican Chapels, as the project is officially known, will be erected in a forest on the island of San Giorgio Maggiore, opposite St. Mark’s Square.”
Commissioner and curator: Nelsón Rodriguez
“The show on display at the pavilion projects three large-scale urban plans in Caracas: Avenida Bolivar-Bulevar de Sabana Grande, Simón Bolívar Parl in la Carlota and the Hugo Chávez Park in La Rinconada.”
“The Salon Suisse offers a series of lectures, talks and cultural events supplementing the exhibition at the Swiss Pavilion. Curated by architectural historian Marcel Bächtiger, cultural theorist Tim Kammasch and architect Stanislas Zimmermannwith the support of local Salonnière Laura Tinti, this year’s programme is an invitation to a journey. If architecture is an island within the archipelago of the artistic and scientific disciplines, then the Salon is a ship that has left the harbour.
From foreign shores, we will look back at architecture and explore its cultural and social relevance today. In the long history of architecture, such moments have always proved most fruitful when the discourse opened up to ideas, insights and inventions from other disciplines. Today, it is time to set sail again. On our journey, we will encounter philosophers and anthropologists, writers, musicians and artists, comparatists and social researchers. By discussing their work and its relevance to architecture, the Salon Suisse will open new perspectives, not only on the potentials of architecture in the 21st century, but also on hidden connections that have always existed among the different disciplines. Each soirée is also a cultural event: a concert, a lecture or a performance; a tangible sensory experience that will initiate conversation between the audience and our guests, all of them present over the whole length of a salon.”
“The exhibition is an effort aimed to investigate how the very concept of citizenship has changed in recent times and is changing these days.
Does the conventional notion of citizenship is being undermined by transnational flows of capital, digital technologies, geopolitical transformations, climatic change, populism, social inequality? How architects and designers should respond to such transformation and in which way their traditional role in contemporary society is changing because of it?”