The SANAA-designed 21st Century Museum of Contemporary Art at Kanazawa, Japan, is hosting the exhibition DeathLAB: Democratizing Death, featuring works by the Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP)-based, transdisciplinary lab, led by associate professor of architecture Karla Rothstein. The exhibition is free and runs through March 24, 2019. The exhibition covers DeathLAB‘s architectural and artistic proposals that address the changing nature of spaces of death in contemporary society, a topic with particular relevance to Japan.
The Japanese urban landscape is stressed by over-population, declining birthrates, and an aging population. Due to a shortage of space, people have begun seeking affordable space-saving burial measures.
For example, in Tokyo, CNN reported on the Ruriden, a repository of LED-lit Buddha statues, and Shinjuku Rurikoin Byakurengedo, a futuristic temple designed by Kiyoshi Sey Takeyama of Amorphe. It contains a “smart library for ashes” that transports people using a conveyor belt system to underground urns. Alternative practices such as online funerals are also on the rise.
The exhibition showcases DeathLAB’s ongoing work in this area through a three-part film and architectural models. The films feature interviews with experts in areas ranging from philosophy to historic preservation.
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An illuminated model of Constellation Park, a 2014 unbuilt project, has been assembled for the show. According to a statement by the museum’s curator, Yoshiko Takahashi, “the project proposed nesting thousands of light-emitting ‘memorial vessels’ underneath New Yorkʼs iconic Manhattan Bridge. Harnessing the human bodyʼs latent bio-energy, the memorial vessels would be populated with calibrated microbial colonies to gradually decompose corpses over the course of a year, generating methane that would, in turn, be used to illuminate the vessel network in a dazzling constellation of mourning lights.”
The lab believes that death transcends differences of “ethnicity, religion, and political/economic constraints.” Constellation Park is meant to be an example of how death can be “democratized” in the metropolis.
The project reinterprets the process of biodegradation present in natural burials. It is inspired by the 1960s Japanese Metabolist movement that was enamored with the relationship between organic biological growth and architecture.
Check out this link for more details.