Artist duo Jonah Freeman and Justin Lowe have conjured a science-fiction fantasy of decrepit staged dioramas stashed with junk. Like an ode to their lust for illicit substances, traces of crystal meth that regularly show up in their previous projects become sublime again. The substance acts as the underlying central theme where “rock” motifs reoccur (i.e. the cactus sculptures growing out of geodes on metal tables in the lab and the arcade room’s case of black market prizes). With eleven rooms that seem to have been abandoned by their junkie inhabitants, the exhibition fabricated by Wolfgang & Hite swallowed two floors of the Marlborough Gallery in London from September through October.
Named Colony Sound, the exhibit is the pair’s most recent work which offers up a speculative take on American history. Rooted in an obscure fantasy of their own, the premise is a past where a technological communication system made from a bacterial petri dish in California during the Cold War, “The Smile,” brainwashes people. Set in present-day, the installation conjectures about how this technology could be adopted by new generations.
After passing through what looks like a bullet-proof door abandoned by ticket counter clerks, one enters a mundane hallway lined with mailboxes and clocks arranged in a haphazard framework of four arbitrary time zones. The liar reveals itself with as a crack den living room, outfitted in 1970s mustard wallpaper, stalactite-like ceilings, and brown sofas.