Born in 1933, Mead began his career in the late 1950s and early 60s at Ford Motor Company before going on to create designs and illustrations for brands like U.S. Steel, Phillips, Sony, and others, including architecture firms. He is perhaps best known, however, for his enduring, iconic designs on sci-fi films like Tron, Star Trek, Alien, and most famously, Blade Runner.
His elaborate cars, spaceships, robotic suits, and cities—all hand-drawn and colored—presented futures that were utopian and dystopian at the same time, sleek and gritty, fantastical and real. As he told Curbed in a 2015 interview: “I painted architecture as a visual romance.”
Not just popular in commercial design and cinema (he also influenced numerous video game designers), Mead was well-regarded in art, architecture, and fashion circles. His first solo show at documenta 6, the contemporary art exhibition, was held in 1973 and exhibited repeatedly in the following decades. In 2016, Mead collaborated with Opening Ceremony on a futuristic fashion line. Numerous books of his work have been published as well and Mead reportedly continued working up until his retirement this past September.
He is survived by his husband and business partner Roger Servick, his sister Peggy, and several nieces and nephews.
In honor of his upcoming Art Director’s Guild award, today’s #PreciousPhotos shows #SydMead wandering the world of #November2019 he helped create. As #BladeRunner’s visual futurist, his mesmerizing concept art was key in setting the tone and style for the film’s signature look. pic.twitter.com/VMloD55808
— Charles de Lauzirika (@Lauzirika) November 29, 2019