Control utilizes a conflation of techniques between interactive media and formal generation to produce a space which engages interface as a domestic and cultural condition. The installation exploits the ubiquitous distribution of intelligent agents as daily mediators of our environment and lives as a device to rethink surface and tectonic as instruments in service to both human and inhuman agencies. Eschewing the urge to treat surveillance as invasive and design towards camouflage or isolation, Control instead embraces the narcissistic and exhibitionist qualities emerging in contemporary society to explore an aesthetic based on temporality and localized coherence (fiction) within a mutable field.