Walead Beshty (b. 1976, London, UK) is an artist and writer working in Los Angeles. He has had solo exhibitions at such institutions as Musée d’art moderne et contemporain, Geneva, Switzerland; the Barbican Centre, London; Ullens Center for Contemporary Art, Beijing; Malmö Konsthall, Sweden / Centro de Arte Dos de Mayo, Madrid; The Hirshhorn Museum, Washington D.C.; Hammer Museum, Los Angeles; and P.S.1 Contemporary Art Center, Long Island City. Beshty’s work is held in permanent museum collections worldwide, including the Guggenheim Museum, New York; the Museum of Contemporary Art, Chicago; the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; the Tate, London; and the Whitney Museum of American Art, New York, among others. Beshty has organized exhibitions at such institutions as Luma Arles, France; the Hessel Museum, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; the Rose Art Museum, Brandeis University, Waltham, MA; and P.S.1 Contemporary Art Center, Long Island City, NY. Monographs on his work include Walead Beshty: Natural Histories (JRP|Ringier, 2011; second expanded edition, 2014) and Walead Beshty: Selected Correspondences 2001–2010 (Damiani Editore, 2010). Beshty edited the anthology Ethics, in Whitechapel’s Documents of Contemporary Art series (MIT Press, 2015), and Picture Industry: A Provisional History of the Technical Image, 1844–2018, (JRP|Ringier, 2018). His collected writings 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015) was published by JRP|Ringier, 2016.