“I think that with good furniture, if it doesn’t at some point make you want to make love on it, it’s missing something,” property magnet André Balazs said recently to the New York Times. He was of course talking about his chair, a Vladimir Kagan chair, complete with “sensuously curved legs” to be precise.
As stool designed by Kagan in 1960.
With Monroe and Cooper chalked up as buyers, Kagan’s works have garnered a reputation for refined elegance and graceful style. Other works have now come into the ownership of other notbales including Brad Pitt, Demi Moore, Angelina Jolie, Uma Thurman, and Tom Cruise, among others.
Unlike his father, who abided by a process of precision and strict rules of measurement, Kagan preferred the more liberating trial and error approach. Perhaps this is why he went on to set up his own business. The results of which, it must be said, were far more fruitful.
“I was not well suited to being a good cabinetmaker. I was too impatient, impulsive,” he said. “My father always said to me, ‘Vladi, measure three times and cut once.’ And I would cut three times without bothering to measure….But I was damn good at conceptual ideas.”
An armchair designed by Kagan in 1953.
Speaking of his inspirations, he said “I had a lot of exposure to good, modern design.”Kagan says he developed a firm sense of likes and dislikes in his early years. He condemned Italian furniture as “baroque, over the top, unjustifiable” while the opposing Scandinavian designs were too “industrial” for his liking.
In 2009, after 62 years of producing furniture, he was inducted in the Interior Designer Hall of Fame. In 2013, and at the age of 85, he announced he was expanding his business (despite subscribing to the philosophy of less is more). Speaking to the Financial Times that year, he said “I’m supposed to be a minimalist – I’m a maximalist. So I say, ‘Do as I say, not as I do.’”